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1600
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1600
The first edition of Henry V, shown here, was printed in 1600 by Thomas Creede for Thomas Millington and John Busby.
1600
This is the variant of the first edition of Henry IV, Part 2, printed in 1600 by Valentine Simmes for Andrew Wise and William Aspley, who entered it into the Stationers’ Register on August 23, 1600, along with Much Ado About Nothing
1600
This is the first edition of Henry IV, Part 2, printed in 1600 by Valentine Simmes for Andrew Wise and William Aspley, who entered it into the Stationers’ Register on August 23, 1600, along with Much Ado About Nothing.
1600
This is the second edition of The True Tragedy of Richard Duke of York, now known as Shakespeare’s Henry VI Part 3.
1600
Englands Helicon, a collection of poetry first printed in 1600 by John Roberts for John Flasket, includes a sonnet from act 4, scene 3 of Love’s Labor’s Lost (1598). The poem in Englands Helicon is ascribed to “W.
1600
The third edition of Lucrece was printed for John Harrison by his son, John Harrison III, in 1600.
1600
Not all contemporary allusions to Shakespeare were positive. In the second stanza of Tom-Tel Troths Message (1600), John Lane commands his pen to “In mournfull verse lament the faults of men,” particularly in England.
1600
Like other plays from the period, Shakespeare's plays were meant to be read both as stories and as sources for sententiae, or memorable aphorisms.
1600
The first edition of Sir John Oldcastle Part 1 poses many difficulties. Firstly, there exist two different quartos of the play bearing the year 1600, one of which bears Shakespeare’s name as author.
