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Copy-specific information
Title: A Tragedy on the History of Sr. Thomas More
Date: ca. 1603-04
Repository: The British Library, London, UK
Call number and opening: Harley MS 7368, fols. 8r-9v
View online bibliographic record
Paul Werstine and Folger Shakespeare Library staff, "Shakespeare's handwriting: Hand D in The Booke of Sir Thomas More," Shakespeare Documented, https://doi.org/10.37078/111.
British Library, Harley MS 7368. See Shakespeare Documented, https://doi.org/10.37078/111.
Sir Thomas More is a collaboratively written play that survives only in a single manuscript. The play is thought to have been written primarily by Anthony Munday, perhaps, some scholars think, aided by Henry Chettle, in the 1590s, with somewhat later contributions from Thomas Dekker, perhaps from William Shakespeare, and just possibly from Thomas Heywood. Politically controversial passages have been censored by Edmund Tilney, a government official known as the Master of the Revels.
On the basis of poetic style, many scholars believe that a three page revision to the play is in Shakespeare’s handwriting. However, we don’t really know what Shakespeare’s handwriting looks like. Six signatures of Shakespeare, found on four legal documents, are the only handwriting that we know for certain are his. This is too small a sample size to make any sort of reliable comparison.
Scholars have assigned letters to the various styles of handwriting found in this play. Hand D has been associated with Shakespeare; Hand C, an unidentified professional scribe, has made corrections to Hand D's contribution. Hands A, B and E have been linked more or less persuasively with Chettle, Heywood, and Dekker, respectively. Hand S belongs to Anthony Munday. Despite the many changes made perhaps to satisfy the censor, the play was never printed, but neither were more than eighty percent of the plays from this period. And despite the stage directions added by a theatrical employee known as a “bookkeeper” writing Hand C, there is no record of the play's having been performed, again as is the case with a great many plays that are widely presumed nonetheless to have seen the stage.
The whole manuscript can be viewed in cover-to-cover images on the British Library's Digitised Manuscripts site.
[Transcription from W.W. Greg, The Book of Sir Thomas More: The Malone Society reprints, 73-78.]
[8r]
Lincolne Peace heare me, he that will not see <a red> hearing a<t> a harry
grote, butter at a levenp<enc>e a p<ounde meale at> nyne shillings a
Bushell and Beeff at fower <nobles a stone lyst> to <me>
[other] GEO BETT yt will Come to that passe yf stra<ingers be su>fferd marke him
Linco our Countrie is a great eating Country, argo they eate more in
our Countrey then they do in their owne__
[other] BETTS CLOW by half penny loff a day troy waight______
Linc they bring in straing rootes, which is meerly to the vndoing of poor
prentizes, for whatʃ [ a watrie] or sorry ᵽsnyp to a good hart
[oth] WILLIAN trash trash ; they breed sore eyes and tis enough to infect the
Cytty wt the palsey__________
Lin nay yt has infected yt wt the palsey, for theise basterdʃ of dung
as you knowe they growe in Dvng haue infected vs, and yt is our
infeccion will make the Cytty shake which ᵽtly Coms through
the eating of ᵽsnyps________
[o] CLOWN. BETTS trewe and pumpions togeather_________
ENTER Seriant what say <ye to the> mercy of the king do you refuse yt
Lin you <would haue vs> vppon thipp woold you no marry do we not, we
accept of the kingʃ mercy but wee will showe no mercy vppõ
the st<raungers>________________________________
seriaunt you ar the <simplest> thingʃ that eu' stood in such a question
Lin how say you now prenti prentisses symple downe wth him_____
all prentisses symple prentisses symple.
Enter the L. maier Surrey
Shrewsbury
[Sher] MAIOR hold in the kingʃ name hold
Surrey frendʃ masters Countreymen
mayer peace how peace I [sh] Charg you keep the peace
Shro. my maisters Countreymen__
WILLIAMSON The noble Earle of Shrowsbury lettʃ hear him
GE bettʃ weele heare the earle of Surrey__________
Linc the earle of Shrowsbury__________
bettʃ weele heare both____
all both both both both____
Linc Peace I say peace ar you men of Wisdome [ar] or
what ar you_________
Surr [But] what you will haue them but not men of Wisdome
all weele not heare my L of Surrey, [ ] no no no no no
_______________________________Shrewsbury shr
moor whiles they ar ore the banck of their obedyenc
thus will they bere downe all th<ings>_________
Linc Shreiff moor speakes shall we heare shreef moor speake
Doll Lettʃ heare him <a> keepes a plentyfull shrevaltry, and a made my
Brother Arther watch<ins> Seriant S<af>es yeoman letʃ heare
shreeve moore
all Shreiue moor moor more Shreue moore
[8v]
moor <even> by the rule you haue among yor sealues
<comand sti>ll audience______________________
all <Surrey S>ury
all <moor moor>_
Lincolne bettʃ peace peace scilens peace.________
moor You that haue voyce and Credyt wt the [Mv] nvmber
Comaund them to a silnes______
Lincolne a plaigue on them they will not hold their peace the deule
Cannot rule them_____________
Moor Then what a rough and ryotous charge haue you
to Leade those that the deule Cannot rule
good masters heare me speake__
Doll I byth mas will we moor thart a good howskeeper and I
thanck thy good worship for my Brother Arthur watchins
all peace peace
moor look what you do offend you Cry vppõ
that is the peace, not < of you heare> present
had there such fellowes, lyv<d w>hen you wer babes
that coold haue topt the p<eace> as nowe you woold
the peace wherin you haue till nowe growne vp
had bin tane from you, and the bloody tymes
coold not haue brought you to [ ] the state of men
alas poor thingʃ what is yt you haue gott
although we graunt you geat the thing you seeke___________
[D] Bett marry the removing of the straingers wch cannot choose but
much [helpe] advauntage the poor handycraftes of the Cytty
moor graunt them remoued and graunt that this yor [y] noyce
hath Chidd downe all the matie of Ingland
ymagin that you see the wretched straingers
their babyes al their backʃ, and their poor lugage
plodding tooth portʃ and costʃ for transportacion
and that you sytt as kingʃ in your desyres
aucthoryty quyte sylenct by yor braule
and you in ruff of yor [yo] opynions clothd
what had you gott, I'le tell you, you had taught
how insolenc and strong hand shoold prevayle
how ordere shoold be quelld, and by this patterne
not on of you shoold lyve an aged man
for other ruffians as their fancies wrought
with sealf same hand sealf reasons and sealf right
woold shark on you and men lyke ravenous fishes
woold feed on on another___________
Doll before god thatʃ as trewe as the gospell_
[Bettʃ] LINCOLN nay this a sound fellowe I tell you lets mark him__
MOOR Lett me sett vp before yor thoughts good freindʃ
on supposytion which if you will marke
you shall ᵽceaue howe horrible a shape
yor ynnovation beres, first tis a sinn
which oft thappostle did forwarne vs of vrging obedienc to aucthory<ty
and twere [ ] no error yf I told you all you wer in armes gainst g<
[9r]
all marry god forbid that___
moo nay certainly you ar
for to the king god hath his offyce lent
of dread of Iustyce, power and Comaund
hath bid him rule, and willd you to obay
and to add ampler mat̃ie. to this
he [god] hath not [le] only lent the king his figure
his throne [his] sword, but gyven him his owne name
calls him a god on earth, what do you then
rysing gainst him that god himsealf enstalls
but ryse gainst god, what do you to yor sowles
in doing this o desperat [ar] as you are.
wash your foule mynds wt teares and those same handʃ
that you lyke rebells lyft against the peace
lift vp for peace, and your vnreuerent knees
[that] make them your feet to kneele to be forgyven
[is safer warrs, than euer you can make]
[whose discipline id ryot ; why euen yor [warrs] hurly] [in in to yor obedienc.]
[cannot proceed but by obedienc] TELL ME BUT THIS what rebell captaine
as mutynes ar incident, by his name
can still the rout who will obay [th] a traytor
or howe can well that proclamation sounde
when ther is no adicion but a rebell
to quallyfy a rebell, youle put downe straingers
kill them cutt their throts possesse their howses
and leade the matie of lawe in liom
to slipp him lyke a hound ; [saying] [alas alas] say nowe the king
as he is clement, yf thoffendor moorne
shoold so much com to short of your great trespas
as but to banysh you, whether woold you go.
what Country by the nature of yor error
shoold gyve you harber go you to ffraunc or flanders
to any Iarman province, [to] spane or portigall
nay any where [why you] that not adheres to Ingland
why you must needʃ be straingers. woold you be pleasd
to find a nation of such barbarous temper
that breaking out in hiddious violence
woold not afoord you, an abode on earth
whett their detested knyves against yor throtes
spurne you lyke doggʃ, and lyke as yf that god
owed not nor made not you, nor that the elamentʃ
wer not all appropriat to [ther] yor Comfortʃ.
but Charterd vnto them, what woold you thinck
to be thus vsd, this is the straingers case
all and this your momtanish inhumanyty__________
fayth a saies trewe letts vs do as we may be doon by
[all] LINCO weele be ruld by you master moor yf youle stand our
freind to procure our ᵽdon_________
moor Submyt you to theise noble gentlemen
entreate their mediation to the kinge
gyve vp yor sealf to forme obay the maiestrate
and thers no doubt, but mercy may be found. yf you so seek it
[9v is blank]
Co-written by Folger Shakespeare Library staff and Paul Werstine
Sources
Martin Wiggins and Catherine Richardson, British Drama 1533-1642: A Catalogue. Vol. IV, 1598-1602 (Oxford: Oxford University Press, 2014), s.v. "1277. Sir Thomas More."
John Jowett, ed., Sir Thomas More original text by Anthony Munday and Henry Chettle, censored by Edmund Tilney, revisions co-ordinated by Hand C, revised by Henry Chettle, Thomas Dekker, Thomas Heywood and William Shakespeare (London: Arden Shakespeare, 2011).
Nina Levine, "Citizens' Games: Differentiating Collaboration and 'Sir Thomas More'," Shakespeare Quarterly, 58:1 (Spring, 2007): 31-64.
Thomas Merriam, "Determining a Date," Notes and Queries, 61:2 (2014): 260-265.
Lois Potter, The Life of William Shakespeare: A Critical Biography (Oxford: Wiley-Blackwell, 2012), 271-274.
Paul Werstine, Early Modern Playhouse Manuscripts and the Editing of Shakespeare (New York: Cambridge University Press, 2013).
Last updated July 13, 2020